NOTES FOR GERM 2:
(FILL THEM IN AS YOU GET THE INFORMATION--WE CAN DEAL WITH SPECIFIC QUESTIONS OF FORMAT LATER)
THE CHILD JESUS
- five sorrowful mysteriesReturn
- The Agony in the Garden.html">Return
- out of Galilee no prophet comesReturn
- Purple and yellow, verdure-spotted, redReturn
- three abodesReturn
- honeysuckleReturn
- moss-roseReturn
- grape vineReturn
- ZacharyReturn
- three long weeksReturn
- Another threeReturn
- Jesus weptReturn
- many colored threadsReturn
- girdleReturn
- Our lady's shrine when incense-smoke Ascends before herReturn
- orange-belted wild beesReturn
- To Egypt from the edge of Herod's swordReturn
- Joseph's barge freighted with heavy woodReturn
- a wreath of hawthorn flowersReturn
- took the reedReturn
- eight years oldReturn
- small red crossReturn
- Light flakes of waving silverReturn
- fifty forked dartsReturn
- that passage in Isaias' bookReturn
A PAUSE OF THOUGHT
- General notesReturn
THE PURPOSE AND TENDENCY OF EARLY ITALIAN ART
- QuotationReturn
- Old MastersReturn
- landscape paintersReturn
- historical paintersReturn
- Source of quotationReturn
- Emerson quotationReturn
- NielloReturn/#italart
- Unknown Florentine painterReturn
- MasaccioReturn
- CaracciReturn
- AsserReturn
- Benozzo GozzoliReturn
- 'Vineyard'Return
- GhibertiReturn
- Fra AngelicoReturn
- MasaccioReturn
- GhirlandajoReturn
- Baccio della PortaReturn
- "Air Demons" of OreagnaReturn
- "Archangels" of GiottoReturn
- "Paul" of MasaccioReturn
- "My strength is as the strength..."Return
- "No Cross, No Crown."Return
- LessingReturn
- Lessing quoteReturn
SONG
- Intro to what a song isReturn
- rosesReturn
- laurelReturn
- ivy-branchReturn
- violetsReturn
- bayReturn
- withered leavesReturn
MORNING SLEEP
- mothReturn
- lotus-pavedReturn
- unzoned bosomsReturn
- Ibis or emuReturn
- HarounReturn
- CaliphReturn
- GiafarReturn
- AssadReturn
- pomegranate-treeReturn
- bound the lady in the echoless cave...Return
- beesReturn
- mowerReturn
SONNET
- LiliesReturn
- yellow jonquilsReturn
- heartseaseReturn
STARS AND MOON
- General introduction.Return
ON THE MECHANISM OF A HISTORICAL PICTURE
- "Historic Art"Return
- the schools not coloristsReturn
A TESTIMONY
- vanity beneath the sunReturn
- Man walks in a vain shadowReturn
- But turn their back to their secret sourceReturn
- His soul would be required of himReturn
- We built our houses on the sandReturn
- All in the end shall have but dustReturn
- The wicked cease from troublingReturn
- the weary are at restReturn
- Verily, we sow wind...Return
- He who hath little shall not lack...Return
O WHERE AND WHEN
- General introduction.Return
FANCIES AT LEISURE
- General introductionReturn
THE SIGHT BEYOND
- General introduction.Return
- welkinReturn
- joyanceReturn
- furzeReturn
- Vanity, say they, quoting him of old.Return
- demenseReturn
- a perfect chainReturn
- Like Jacob's ladderReturn
THE BLESSED DAMOZEL
- General introduction.Return
- three liliesReturn
- stars in her hair were sevenReturn
- white roseReturn
- five handmaidensReturn
- Cecily, Gertrude, Magdalen, Margaret, and RosalysReturn
- citherns and citolesReturn
REVIEWS: "THE STRAYED REVELLER, AND OTHER POEMS:"
- General introduction.Return
- A.--Return
- have heard aptly described as self-consciousnessReturn
- ResignationReturn
- RegistanReturn
- avows himself a QuietistReturn
- RepublicanReturn
- "in utrumque paratus"Return
- antiquity and classical associationReturn
- "Fausta"Return
- "Critias"Return
- passage in the 2nd Book of HerodotusReturn
- This poem must be read as a wholeReturn
- little, if anything, to unlearnReturn