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26

孔子閒居,子夏侍。子夏曰:「敢問《詩》雲:『凱弟君子,民之父母』,何如斯可謂民之父母矣?」孔子曰:「夫民之父母乎,必達於禮樂之原,以致五至,而行三無,以橫於天下。四方有敗,必先知之。此之謂民之父母矣。」

子夏曰:「民之父母,既得而聞之矣;敢問何謂『五至』?」孔子曰:「志之所至,詩亦至焉。詩之所至,禮亦至焉。禮之所至,樂亦至焉。樂之所至,哀亦至焉。哀樂相生。是故,正明目而視之,不可得而見也;傾耳而聽之,不可得而聞也;志氣塞乎天地,此之謂五至。」

子夏曰:「五至既得而聞之矣,敢問何謂三無?」孔子曰:「無聲之樂,無體之禮,無服之喪,此之謂三無。」子夏曰:「三無既得略而聞之矣,敢問何詩近之?」孔子曰:「『夙夜其命宥密』,無聲之樂也。『威儀逮逮,不可選也』,無體之禮也。『凡民有喪,匍匐救之』,無服之喪也。」

子夏曰:「言則大矣!美矣!盛矣!言盡於此而已乎?」孔子曰:「何為其然也!君子之服之也,猶有五起焉。」

子夏曰:「何如?」子曰:「無聲之樂,氣志不違;無體之禮,威儀遲遲;無服之喪,內恕孔悲。無聲之樂,氣志既得;無體之禮,威儀翼翼;無服之喪,施及四國。無聲之樂,氣志既從;無體之禮,上下和同;無服之喪,以畜萬邦。無聲之樂,日聞四方;無體之禮,日就月將;無服之喪,純德孔明。無聲之樂,氣志既起;無體之禮,施及四海;無服之喪,施于孫子。」

子夏曰:「三王之德,參於天地,敢問:何如斯可謂參於天地矣?」孔子曰:「奉三無私以勞天下。」子夏曰:「敢問何謂三無私?」孔子曰:「天無私覆,地無私載,日月無私照。奉斯三者以勞天下,此之謂三無私。其在《詩》曰:『帝命不違,至於湯齊。湯降不遲,聖敬日齊。昭假遲遲,上帝是祗。帝命式於九圍。』是湯之德也。

天有四時,春秋冬夏,風雨霜露,無非教也。地載神氣,神氣風霆,風霆流形,庶物露生,無非教也。

清明在躬,氣志如神,嗜欲將至,有開必先。天降時雨,山川出雲。其在《詩》曰:『嵩高惟嶽,峻極於天。惟嶽降神,生甫及申。惟申及甫,惟周之翰。四國于蕃,四方于宣。』此文武之德也。

三代之王也,必先令聞,《詩》雲:『明明天子,令聞不已。』三代之德也。『弛其文德,協此四國。』大王之德也。」

子夏蹶然而起,負牆而立曰:「弟子敢不承乎!」

BOOK XXVI.

1Confucius being at home at leisure, with Dze-hsiâ by his side, the latter said, 'With reference to the lines in the Book of Poetry (III, ii, ode 8, 1),

"The happy and courteous sovereign
is the father and mother of the people;"
I beg to ask what the sovereign must be, who can be called "the parent of the people."' Confucius said, 'Ah! the parent of the people! He must have penetrated to the fundamental principles of ceremonies and music, till he has reached the five extreme points to which they conduct, and the three that have no positive existence, and be able to exhibit these all under heaven; and when evil is impending in any part of the kingdom, he must have a foreknowledge of it:--such an one is he whom we denominate 'the parent of the people.'

Dze-hsiâ said, 'I have thus heard (your explanation) of the name "parent of the people;" allow me to ask what " the five extreme points" (that you mention) mean.' Confucius said, 'The furthest aim of the mind has also its furthest expression in the Book of Poetry. The furthest expression of the Book of Poetry has also its furthest embodiment in the ceremonial usages. The furthest embodiment in the ceremonial usages has also its furthest indication in music. The furthest indication of music has also its furthest indication in the voice of sorrow. Sorrow and joy produce, each the other; and thus it is that when we look with the directest vision of the eyes at (these extreme points) we cannot see them, and when we have bent our ears with the utmost tension we cannot hear them. The mind and spirit must embrace all within heaven and earth:--these are what we denominate "the five extreme points."'

Dze-hsiâ said, 'I have heard your explanation of "the five extreme points;" allow me to ask what "the three points that have no positive existence" mean.' Confucius said, 'The music that has no sound; ceremonial usages that have no embodiment; the mourning that has no garb:--these are what we denominate "the three points that have no positive existence." Dze-hsiâ said, 'I have heard what you have said on those three negations; allow me to ask in which of the odes we find the nearest expression of them.' Confucius said, 'There is that (IV, ii, ode 1, 6),

"Night and day he enlarged its foundations by
his deep and silent virtue:"--
there is music without sound. And that (I, iii, ode 1, 3),
"My deportment has been dignified and good,
Without anything wrong that can be pointed out:"--
there is the ceremony that has no embodiment. And that (I, iii, ode 10, 4),
"When among any of the people there was a death,
I crawled on my knees to help them:"--
there is the mourning that has no garb.'

Dze-hsiâ said, 'Your words are great, admirable, and complete. Do they exhaust all that can be said on the subject? Is there nothing more?' Confucius said, 'How should it be so? When a superior man practises these things, there still arise five other points.'

Dze-hsiâ said, 'How is that?' Confucius said, 'When there is that music without sound, there is no movement of the spirit or will in opposition to it. When there is that ceremony without embodiment, all the demeanour is calm and gentle. When there is that mourning without garb, there is an inward reciprocity, and great pitifulness.'When there is that music without sound, the spirit and will are mastered. When there is that ceremony without embodiment, all the demeanour is marked by courtesy. When there is that mourning without garb, it reaches to all in all quarters.'When there is that music without sound, the spirit and will are followed. When there is that ceremony without embodiment, high and low are harmonious and united. When there is that mourning without garb, it goes on to nourish all regions.'When there is that music without sound, it is daily heard in all the four quarters of the kingdom. When there is that ceremony without embodiment, there is a daily progress and a monthly advance. When there is that mourning, without garb, the virtue (of him who shows it) becomes pure and very bright.'When there is that music without sound, all spirits and wills are roused by it. When there is that ceremony without embodiment, its influence extends to all within the four seas. When there is that mourning without garb, it extends to future generations.'

Dze-hsiâ said, '(It is said that) the virtue of the kings (who founded the) three dynasties was equal to that of heaven and earth; allow me to ask of what nature that virtue was which could be said to put its possessors on an equality with heaven and earth.' Confucius said, 'They reverently displayed the Three Impartialities, while they comforted all beneath the sky under the toils which they imposed.' Dze-hsiâ said, 'Allow me to ask what you call the "Three Impartialities."' Confucius said, 'Heaven overspreads all without partiality; Earth sustains and contains all without partiality; the Sun and Moon shine on all without partiality. Reverently displaying these three characteristics and thereby comforting all under heaven under the toils which they imposed, is what is called "the Three Impartialities." It is said in the Book of Poetry (IV, iii, ode 4, 3),

"God in His favour Thang's House would not leave,
And then Thang rose that favour to receive.
Thang's birth was not from Hsieh too far removed,
His sagely reverence daily greater proved;
For long to Heaven his brilliant influence rose,
And while his acts the fear of God disclose,
God Thang as model fit for the nine regions
chose:"--
such was the virtue of Thang.

'To Heaven belong the four seasons, spring, autumn, winter, summer, with wind, rain, hoar-frost, and dew;--(in the action) of all and each of these there is a lesson.'Earth contains the mysterious energy (of nature). That mysterious energy (produces) the wind and thunder-clap. By the wind and thunder-clap the (seeds of) forms are carried abroad, and the various things show the appearance of life:--in all and each of these things there is a lesson.

'When the personal character is pure and bright, the spirit and mind are like those of a spiritual being. When what such an one desires is about to come, there are sure to be premonitions of it in advance, (as when) Heaven sends down the seasonable rains, and the hills produce the clouds. As it is said in the Book of Poetry (III, iii, ode 5, 1),

"How grand and high, with hugest bulk, arise
Those southern hills whose summits touch the
skies!
Down from them came a Spirit to the earth,
And to the sires of Fû and Shan gave birth.
In those two states our Kâu a bulwark has,
O'er which the southern foemen dare not pass,
And all its states they screen, and through them
spread
Lessons of virtue, by themselves displayed:"--
such was the virtue of (kings) Wan and Wû.

'As to the kings (who founded) the three dynasties, it was necessary that they should be preceded by the fame of their forefathers. As it is said in the Book of Poetry (III, iii, ode 8, 6),

"Very intelligent were the sons of Heaven,
Their good fame was without end:"--
such was the virtue of (the founders) of the three dynasties.'(And again),
"He displayed his civil virtues,
And they permeated all parts of the kingdom:"--
such was the virtue of king Thâi.'

Sze-hsia rose up with a sudden joy, and, standing with his back to the wall, said, 'Your disciple dares not but receive (your instructions) with reverence.'

Notes

1. See the introductory notice, vol. xxvii, page 41.

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IATHPublished by The Institute for Advanced Technology in the Humanities, © Copyright 2003 by Anne Kinney and the University of Virginia