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Holding onto the particle roughness of the hive's word and its particle-based pain, a 一つの bee, the visible shape in this black and white movie world of Zoltan Abbassid's dead wide, waits with wiggling antennae for the action of the day to start.

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	Holding onto the particle roughness of the hive's word and its particle-based pain, a single bee, the visible shape in this black and white movie world of Zoltan Abbassid's dead wide, waits with wiggling antennae for the action of the day to start.